Ana 2004
Ana takes its title from Ana, the mother of the Virgin Mary. According to Islamic tradition, Ana dedicated what was in her womb to God and was surprised to bear a daughter; she prayed that her child and offspring be delivered from evil and accepted by God. Mary (Maryam) is the only woman named in the Qur’an; this work presents Ana, Mary, and Jesus as a continuum—a tree of life—whose central form is echoed around the periphery.
Technique and edition: Edition of seven: one impression printed in oil-based ink; six variable impressions printed with henna paste on hand-dyed canvas. The henna editions were used as a printing medium, producing unique surface textures and color variations across the series. Women traditionally use henna for body adornment in Arabia. This print is available in seven variable editions.
Technique and edition: Edition of seven: one impression printed in oil-based ink; six variable impressions printed with henna paste on hand-dyed canvas. The henna editions were used as a printing medium, producing unique surface textures and color variations across the series. Women traditionally use henna for body adornment in Arabia. This print is available in seven variable editions.
Ana 1 – 2004 Screen print with henna on dyed canvas – 35x 30in
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Ana 2 – 2004 Screen print with henna on dyed canvas – 35 x 30 in
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Ana 3 – 2004 Screen print with henna on dyed canvas – 35 x 30 in
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Ana 5 – 2004 Screen print with henna on dyed canvas – 35 x 30 in
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Ana 6 – 2004 Screen print with henna on dyed canvas – 35 x 30 in
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Ana 7 – 2004 Screen print with oil based ink on canvas – 35 x 30 in
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