HEND AL-MANSOUR هند المنصور
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Shrinks From All Rendezvous – 2017

Shrinks From All Rendezvous responds to a poem attributed to Juml, a ninth‑century Bedouin woman from Iraq whose forthright complaint about an older master reveals a rare female voice speaking openly about desire. My search for Juml led me into the visual world of the Abbasid period — the painted earthenware of 9th–10th century Iraq and the illustrated Maqāmāt manuscripts of al‑Hamadhānī and al‑Harīrī. Their rhythmic compositions and ornamental vocabularies shaped the drawing as I imagined Juml: hearty, sharp‑witted, and unafraid to voice her desire.
During this research, I discovered that the very man she lampooned is the one who narrated her poem. His decision to transmit a verse that humiliates him intrigued me, and he became part of the work — a figure caught between pride, vulnerability, and the power of a woman’s authorship.
The print translates Abbasid visual languages into contemporary screen printing, bringing together historical ornament, manuscript aesthetics, and a rare female poetic voice from early Islamic history.

 Full screenprint showing Juml and Idris in an Abbasid-inspired interior with ornamental borders
Shrinks From All Rendezvous — Screenprint on paper, 34 × 30 in., 2017. Edition of 9 (variable prints). Inspired by a poem attributed to Juml, a ninth-century Bedouin woman from Iraq.
Alternate version of the screenprint with different color palette and ornamental details
Shrinks From All Rendezvous (alternate version) — Screenprint on paper, 34 × 30 in., 2017. Edition of 9 (variable prints).
Close-up of Juml’s face with jewelry and an expressive, direct gaze in Abbasid-style detailing
Shrinks From All Rendezvous (detail) — Screenprint on paper, 34 × 30 in., 2017. Edition of 9 (variable prints). Close-up of Juml’s face and expression.
Close-up of Idris’s face with a tired, introspective expression
Shrinks From All Rendezvous (detail) — Screenprint on paper, 34 × 30 in., 2017. Edition of 9 (variable prints). Close-up of Idris’s face and expression.
 Close-up of Arabic calligraphy
Shrinks From All Rendezvous (detail) — Screenprint on paper, 34 × 30 in., 2017. Edition of 9 (variable prints). Arabic calligraphy panel.
Vertical border detail with fruit and women playing music
Shrinks From All Rendezvous (detail) — Screenprint, 2017. Vertical border with fruit and musician motifs
Horizontal border with border with fruit and musician vignettes
Shrinks From All Rendezvous (detail) — Screenprint, 2017. Horizontal border with circular fruit and music motifs.
Horizontal border with border with fruit and musician vignettes
Shrinks From All Rendezvous (detail) — Screenprint, 2017. Horizontal border with circular fruit and music motifs.

Member of Rosalux Gallery, Minneapolis
Member of Interfaith Artists Circle
Alumni member of A.I.R. Gallery, New York
  • Home
  • Work
    • Printmaking
    • Installation
    • Paintings
    • Murals >
      • Merhaba Mural
    • Animation
    • Digital Art
  • Exhibitions
  • About
    • Bio
    • Statement
    • Résumé
  • Press
  • Contact